Tokunbo Syndrome In “Everything Counts”: A Short story In No Sweetness Here by Ama Ata Aidoo

Reviewed by Omowunmi Segun
Ama Ata Aidoo’s short story, “Everything Counts” In No Sweetness Here, explores the influence of international business ethics on local economies and cultural values.
Sissie, a student of economics overseas, finds herself in a moral bind over the cultural and economic implications of homogenisation of markets symbolised by the wig, she and many other African women wear. Initially, she refuses to see the connection between wearing the wig and the stagnation of economic development in her country as a result of this, although she raises questions about the ethical behaviour of marketers (businesses) who impose “second-rate” expert advice and “tokunbo” second-hand goods sold at exorbitant prices on less developed countries.
Sissie is, however, forced to change her opinion on her return home to take up a job as a lecturer of economics in the university. She is shocked at the extent to which the wig has almost completely eroded the cultural identity of the women.
“From the air-stewardesses to the grade-three typists in the offices, every girl simply wore a wig. Not cut discreetly short and disguised to look like her own hair as she tried to do with hers.”
Over the next few weeks, Sissie’s visit to her relatives, who make a point of telling her their expectations in terms of the sort of material goods she would be bringing home, makes her realize the harm international commerce is causing by promoting and developing a materialistic and consumer-aware society, which really does not have the wherewithal to sustain high levels of consumption. But: “How could she tell them that cars and fridges are ropes with which we are hanging ourselves?”
Sissie’s worst fears about the insidiousness of international commerce on cultural values are confirmed by the beauty contest which marks the climax of the story. She has a rude shock when she discovers that the winner of the beauty pageant is “mulatto”, an affirmation by Africans that being light-skinned and having silky hair, like the wig, is symbolic of African beauty.
Ama Ata Aidoo’s short story shows how global markets grow, sometimes to the detriment of the local economy and cultural values. The key issue here, however, is that generally the moral responsibilities of marketers (businesses) are discussed within the contexts of such issues as bribery, corruption, and international human rights but very rarely are the responsibilities of marketers (businesses) to the cultures of the societies in which they operate highlighted.
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VALUE DECADENCE, CENTRAL THEME OF AMA ATA AIDOO’S “EVERYTHING COUNTS”
Review by Olanrewaju Akinfenwa
In creation, one of the Laws that permeate the firmament is the Law of Development. It simply states that there is time to sow, time to nurture and time to reap. There are processes to everything, including business and circumventing any of the processes, can only result in chaotic situation.
This and other ethical issues are what AMA ATA AIDOO raises in EVERYTHING COUNTS; depicting how the gluttonous nature of underdeveloped nations make them lap up any fashion without recourse to finesse attached to their usages. “Really, she had found it difficult to believe her eyes. How could she? From the air-stewardesses to the grade-three typists in the offices, every girl simply wore a wig. Not cut discreetly short and disguised to look like her own hair as she had tried to do with hers, but blatantly, aggressively, crudely.”
Through the gamut of the whole story, the local people were portrayed only as gluttons who consume imported items but not a trace of production was highlighted.
Sissie, who tried to take normal level of development, went overseas to study and was able to learn the correct usage of the alien culture, which she was to impart on the youth of her country. While in the alien country, she found it irritating that her people’s quest for a change could be taken to the ‘ridiculous’ level of pointing to the wig as one of those things militating against development of those back home. She wondered how such a little fashion statement could count.
However, she learnt through a rude shock that in life or business ethics, every movement, mannerism, and deed counts.
She saw how her whole people had transferred alien fashion to their land without working for it.
She painfully realised how her brothers had been right when they insisted that merely wearing the alien wig depicts a people that has lost its confidence.
“But what has wearing wigs got to do with revolution?” Ä lot sister,” they would say. “How?” she would ask, struggling not to understand.
“Because it means that we have no confidence in ourselves.”
This story painfully points to the fact that you need to be yourself or else you will become an ape while trying to ape others.
While all the real wig-wearing Africans lost out in a beauty pageant, it took a “mulatto” to wear the crown with her “natural” hair, which is as silky as the wig.
The book shows how underdeveloped people’s gluttony gives more business (patronage) to the developed world and how their expansion (global marketing) turns a real people into caricature.
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